Natalia Cecire has an extraordinary post today on the cultural politics of Google’s self-infantilization, responding to the company’s announcement that it would restructure itself under the new name “Alphabet.”
But Google’s simplicity doesn’t go for sophisticated (read: adult) simplicity in the way that Apple’s design so openly does.14)
Contrast this with the conscious citation of children’s alphabet books in the title of Google’s Alphabet announcement, “G Is for Google.” With its logo in primary colors, the letters in a serif typeface as if on toy letter blocks, and of course a name that’s nearly a gurgle and a corporate headquarters (the “Googleplex”) that’s a pun, Google has never exactly gone for the grown-up look. On the contrary, they are, like Facebook, famous for ping-pong tables in the workplace and Silicon Valley’s “youth culture.”
That is not to say that Google’s design strategy is antimodernist. Not at all. For the childishly-named doodles don’t register as ornaments without the “simple and iconic” reputation of the default search page. More to the point, though, the performance of childishness is a key form of modernist primitivism, a way of superseding modern civilization’s (supposed) hypercontrol, not by admitting to being decadent or regressive but rather by appropriating a position of genuine newness in the form of youth (which is also, of course, a proxy for other alleged developmental earlinesses—modernists like Gertrude Stein and William Carlos Williams freely appropriated African-American, Native American, and immigrant positions).
It’s spread across two sites and many posts but at this point I think Natalia’s blogging over the last few years is basically the definitive statement of how to think about the cultural politics of puerility and childhood in contemporary culture.
(Categorizing this in “Calling adults childish” because companies can do it to themselves!)